Website Image Credits

All images used in the making of this website are believed to be either in the public domain, owned by myself, or use cleared with the photographer. 

Home: R. Horwood, PLAN of the Cities of LONDON and WESTMINISTER the Borough of SOUTHWARK and PARTS adjoining Shewing every House, c. 1792. engraving,Crace Collection of Maps of London, British Library, London, Public Domain; Edwin Henry Landseer, Favourites, 1834-35. Oil on canvas, Yale Center for British Art, Paul Mellon Collection, Public Domain

Curatorial: Installation views of Ecological Looking: Sustainability and the End(s) of the Earth, September 19, 2014-November 30, 2014, Photography by Jacob Henry Leveton; William Blake and the Age of Aquarius, September 23, 2017-March 11, 2018, photography by Mary and Leigh Block Museum of Art, Northwestern University, all rights reserved

CV (in descending order)William Blake, First Book of Urizen, Copy C, pl. 6, 1794, color-printed relief etching, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; William Blake, Enoch, 1806-7, modified lithograph, Metropolitan Museum of Art, Public Domain; Photograph by Kerri Offord, all rights reserved; Photograph by Kate Singer, all rights reserved; William Blake, The Poems of Thomas Gray, Design 109. Watercolor with pen and ink, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; Photograph by Jacob Henry Leveton, all rights reserved; Photograph by John C. Mulligan, all rights reserved; Photograph owned by Jacob Henry Leveton, all rights reserved; Photograph owned by Jacob Henry Leveton, all rights reserved

Architecture & Resistance for the Anthropocene:: (Banner images, in order): Horwood, PLAN (detail); T. Prattent, Albion Mill, Blackfriars Bridge, undated, etching, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; Robert Barker, London from the Roof of Albion Mills, 1792-3, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Photographs by Jacob Henry Leveton; John William Edye, A View of London from Blackfriars Bridge, 1795, hand-colored aquatint, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Photograph by Jacob Henry Leveton; Rotative steam engine by Boulton and Watt, 1788, Science Museum, London, Public Domain (Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence, https://creativecommons.org/licenses/by-nc-sa/4.0/); Albion Mill engine, Boulton & Watt Archive, Library of Birmingham, Photograph by Jacob Henry Leveton, all rights reserved; Albion Mill machinery, Boulton & Watt Archive, Library of Birmingham, Photograph by Jacob Henry Leveton, all rights reserved; Albion Mill plan, Boulton & Watt Archive, Library of Birmingham, Photograph by Jacob Henry Leveton, all rights reserved; John William Edye, A View of Albion Mill on Fire, 1791, hand-colored aquatint, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; Thomas Girtin, Albion Mills after the Fire, watercolor on paper, Prints & Drawings Department, Public Domain; (Image gallery, top to bottom, left to right): "Albion Mills on Fire," anonymously produced broadsheet, British Library, Public Domain; William Blake, America: A Prophecy, 1793, color-printed relief etching, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; John Martin, Pandemonium, 1831, mezzotint, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; "Gas Light Apparatus" in Friedrich Christian Accum, Accum's Plans of the Gas-works in London (London: 1820), Department of Rare Books and Manuscripts, Yale Center for British Art, Photograph by Jacob Henry Leveton, all rights reserved; Advertisements against machine breakers, Public Domain, multiple sources; William Blake, Jerusalem, Copy E, pl. 22, relief etching, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; Unknown artist, The Great Fire of London, with Legate and Old St. Paul's,c. 1670, oil on canvas, Department of Paintings and Sculpture, Yale Center for British Art, Paul Mellon Collection, Public Domain; Richard Earlom, after Joseph Wright, An Iron Forge, 1773, mezzotint, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; Henry Maudslay, Tool for Originating screw threads, c. 1800-1805, Maudslay Collection, Science Museum, London, Public Domain (Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence, https://creativecommons.org/licenses/by-nc-sa/4.0/); Section of the Rotunda, Leicester Square, in which is exhibited the Panorama, 1801, etching and aquatint, Department of Prints and Drawings, British Museum, Crace Collection, Public Domain; J.M.W. Turner, The Thames above Waterloo Bridge, c. 1830-5, oil on canvas, Photo © Tate CC-BY-NC-ND 3.0 (unported), http://www.tate.org.uk/art/artworks/turner-the-thames-above-waterloo-bridge-n01992

Public Humanities: (Banner image) photograph by Jacob Henry Leveton

Syllabi (in descending order)Rembrandt, Militia Company of District II under the Command of Captain Frans Banninck Cocq, Known as the ‘Night Watch’, 1642, oil on canvas, Rijksmuseum, Amsterdam, Public Domain (C0); Kettly Noël, photographic still from performance and scenographic installation Zombification, documenta14, Athens Conservatoire, Photograph by Jacob Henry Leveton

 

Dissertation (in descending order):William Blake, Songs of Innocence, Copy F, relief etching, Department of Prints and Drawings, Yale Center for British Art, Paul Mellon Collection, Public Domain; Jacques de Loutherbourg, Coalbrookdale by Night, 1801, oil on canvas, Science Museum, London, Public Domain (Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence, https://creativecommons.org/licenses/by-nc-sa/4.0/); Rotative steam engine by Boulton and Watt, 1788, Science Museum, London, Public Domain (Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence, https://creativecommons.org/licenses/by-nc-sa/4.0/)Albion Mill plan, Boulton & Watt Archive, Library of Birmingham, Photograph by Jacob Henry Leveton, all rights reserved

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